283 Royalty-Free Audio Tracks for "Real Laugh"

A quick, airy, dry sounding poot. Processed with audacity for a more consistent tone and volume.

A "slipped out" kind of natural poot that has a slight raspberry quality. Processed with audacity for a more consistent tone and volume.

An unusual sounding poot with a squishy quality but not too wet sounding. Processed with audacity for a more consistent tone and volume.

Another poot with a sweeping pitch from low to high. Processed with audacity for a more consistent tone and volume.

A poot recorded with relatively good quality, ie. Low noise, no echo, etc. Post-processed using audacity (equalization, amplification, noise-reduction) to achieve more consistent levels and fidelity. Recorded on a moto g5 plus (smartphone) using easy voice recorder (android). Processed with audacity for a more consistent tone and volume.

An amazing 3-second poot with a music-like sound (trumpet). Relatively good quality, ie. Low noise, no echo, etc. Post-processed using audacity (equalization, amplification, noise-reduction) to achieve more consistent levels and fidelity. Recorded on a moto g5 plus (smartphone) using easy voice recorder (android). Processed with audacity for a more consistent tone and volume.

An "evil laugh" recorded to demonstrate changing pitch in audacity to my son.

Really contagious & funny female laughter.

A series of 5 short, natural poots, aka. Farts, separated by about a second of silence. All natural and relatively good quality, ie. Low noise, no echo, etc. Recorded by the producer on different occasions and post-processed using audacity (equalization, amplification, noise-reduction) to achieve more consistent levels and fidelity. Recorded on a moto g5 plus (smartphone) using easy voice recorder (android). Cute > nasty?.

A long, squeaky, almost metallic-sounding toot that ends in an upsweep to a high pitch. Completely real, processed with audacity for a more consistent tone and volume.

Various plastic tubes, boxes and containers recorded with tascam dr-05 and mastered with audacity. No added effects except compression and minimal reverberation.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Drone of a german medieval bagpipe (mitelalter sackpheife) carefull. This file is not very loopable so i will upload a longer versión son but this lasts for a minute. I'll upload the chanter samples later. Enjoy.

A tape machine which i recorded various buttons and switches on. This was a nice one with a metallic ring to it.

A short, frequency-rich kissing for any foley work. 48/16. :).

A real fart that sounds much like a bullfrog. Processed with audacity for a more consistent tone and volume.

Recording from live comedy show performance (no dialogue) - natural authentic audience laughter. Small/medium crowd, venue is slightly echoey.

Someone sleeps. An alarm clock rings. Another early wake up.

Caution: this is a cheap home recording.

Some real snaps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the mid frequencies. ) great for layering on top of each other! -eg.

Auto int real rattly driving bumpy road fast speed 50kmph.

A driving rock beat in the style of modern day rock such as muse or nickel back.

Old yamaha drum kit recorded through a qfx shoebox taperecorder's built in mic. Then i played the tape and recorded a voicenote on a samsung galaxy note s1. I like the grain and texture so hopefuly helps for your lo-fi intended tracks.

I created this witch laughter in adobe audition using pitch correction and reverb. I hope you find it useful.

Two quickies.

Woodpecker or a mouse click?.

This is the dirty tony's tom 14''. He recorded it at johnny's studio, the only studio with a hole in the wall! it has been recorded with four mics, and this is the mix of all!.

I performed and recorded all of these samples in my studio. Mostly rock and metal grooves. So slice & dice, hack & slash, scoop & loop, smash & bash. Make some noise!.

Recorded on the field of war, truly harrowing. Listener's discretion is advised. Feel free to use without credit.

Yep, i'm reading allen stranges "electronic music: system, techniques and controls". Interesting from start. This is a patch made with lessons from chapter 4.

Yep, i'm reading alen stranges "electronic music: system, techniques and controls". Interesting from start. This is a patch made with lessons from chapter 4. Changed pitch on one osc and added some drums. Some editing in audacity compressor and limiter.

Cracking of finger bones recorded with a audio-technica shot gun mic and tascam dr-60dmii. Real finger crack (:.

Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

16 bit 44. 1khz, recorded on zoom h4n stereo. Field recording of trick or treaters in housing estate on halloween, some fireworks in background, mostly people/children talking, very background-y.

Recording of my finger snap inside my living room. Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Scary cymbal. Processed in lmms by applying effects. ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||. > download 1025 free samples now! download at: http://cdstation. Atwebpages. Com/sitefiles/pages/releases. Html. ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||.

I recorded this in my living room with mics in an x-pattern on the couch very close together, using a tascam dr-70d and behringer dyynamic microphones with patch cables for optimal volume. I recorded this at maximum gain on the tascam as two stereo files, then conjoined them to a 6-channel audio file properly and mixed the front two channels to a monaural center channel for added effect. The final result is what can be downloaded here. Tghe music in the background is part of the star trek: generations expanded complete score, and is coming from my computer to the rear of the recording, which lasts just over a minute in length, and the music was just background noise for testing purposes only. No copyright infringement was intended. Credit for the music goes to the now late jerry goldsmith and also dennis mccarthy, who is still alive. I hope you like this audio demonstration, and find it useful when considering rigs like the holophone, or comparible 5. 1 surround sound microphones / rigs. I take no credit for this recording, as it was done for demonstration purposes only. Have fun!.

Strong winds from the spanish badlands!mono field recording with an akg c91 cardio in a windjammer, into a aeta mixy onto an maudio microtrack via spdif, sometime around spring 2011. Recorded in the bardenas reales desert in spain. Http://upload. Wikimedia. Org/wikipedia/commons/thumb/0/04/lapisquerra. Jpg/1024px-lapisquerra. Jpgthis particular recording was done a day of high winds on the hills overlooking the bardena, close to a mass of shrubbery with birds nesting in it!it's pretty dense, the infra gusts have been somewhat tamed but are still quite present!.

This is the dirty tony's tom 16''. He recorded it at johnny's studio, the only studio with a hole in the wall! it has been recorded with four mics, and this is the mix of all!.

This sound is recorded directly from one of my original 1938 98cc light motorbikes. This time is a express (manufaturer) sl 102 (type). The noise you hear is all specific. It is the fuel cock on selection, the flooding of the carburettor, suction of the engine, two tries to bring the engine to live with clutch action inbetween. Running on idle and two short openings of the throttle. Engine is shut off by using the decompression lever which is typical for this period of time and two stroke engines. .

This sound is of pressing a button, switch, key, etc.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Recording of a small plastic toy ball which, when moved, makes a rain-like sound. Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

People eating and drinking on a hot august evening in 2008. Location gasthof rossle in bad worishofen, bavaria, germany.

Recorded and processed at 24bit 48khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.

Better set on monoaural on your daw if possible due to the off-center recording. Having been a bit ill on some rich iron content food i couldn't stomach (offal it was, it was the sheep fried liver who was the culprit - the very rich iron content upset my stomach pretty bad - was looking for something "new". ). Keep in mind that i am unable to do this as a request for obvious reasons including health, livelihood and risk of damage to equipment. I tried very hard to avoid shaking the zoom as not to make the wobbling sounds. If i am ill again, i'll use my ma-2 (microphone stick) and gravity microphone stand and get a real good recording of real vomiting but keep in mind this was recorded in my showerroom so some er may occur.

I won't do this until the coast is clear.

Recording of a cardboard being finger scratched. Recorded and processed at 24bit 96khz using the tascam dr-40 linear pcm recorder. Processing: gain-staging and soft high and low frequency filtering. No eq boost or cuts anywhere else. Also de-noised.